The film Avatar has finally been released this month after being in development since 1994. I have not seen it yet, but I have read about it and discussed it with several people who have. This prose-poem tries to encapsulate some of my initial thoughts on this blockbuster, its initial reception and some of its meaning.
James Cameron, who wrote, produced and directed the film, stated in an interview that an avatar is: “an incarnation of one of the Hindu gods taking a flesh form." In this film, though, avatar has more to do with human technology in the future being capable of injecting a human's intelligence into a remotely located body, a biological body. "It's not an avatar in the sense of just existing as ones and zeroes in cyberspace,” said Cameron; “it's actually a physical body." The great student of myth, Joseph Campbell(1), should have been at the premier in London on 10 December 2009. I wonder what he would have said.
Composer James Horner scored the film, his third collaboration with Cameron after Aliens and Titanic. A field guide of 224 pages for the film's fictional setting of the planet of Pandora was released by Harper Entertainment just five weeks ago. The guide was entitled Avatar: A Confidential Report on the Biological and Social History of Pandora. With an estimated $310 million to produce and $150 million for marketing, the film has already generated positive reviews from film critics. Roger Ebert, one of the more prestigious of film critic
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